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I shot a video and posted it below so you could see and hear how I set this up on my drum tracks. This site uses Akismet to reduce spam. Drums Parallel Compression 4. Using ReaComp on Bass Guitar. to you for explaining so clearly and sharing this knowledge. If the knob is moved to the very right (=100%wet) the audio signal is completely compressed. Don't Fear The Reaper; Parallel Compression in ReaComp: Confirm/Clarify; If this is your first visit, be sure to check out the FAQ by clicking the link above. ), Great new audio jobs at Soundtree Music, Ubisoft Malmö, Avid, MY.GAMES, PitStop, Improbable, Harman, Ubisoft Lyon, EA DICE, Amazon, King, Spatial, Loove Labs, MSG Networks, NBC Sports Group, and Apple, how to EQ and apply compression to rock vocals, how to set up multiple reverb buses, and why. Learn how your comment data is processed. By moving the dry/wet knob of the fx plug-in you are able to add the desired amount of parallel compression. Been a long time but I'm still having this problem, that the wet/dry knob is a way to do parallel processing without using extra tracks. I’m happy that you liked this course. I’m not sure I will do a whole video course on gain staging, but it is an important topic I need to cover. Being a beginner that I am, I wish you could point me in the right direction to a basic course on setting up gain staging, proper track levels and such. I am not sure, but I think doing it your way you have a higher CPU usage ?! The REAPER Blog participates in affiliate programs by Amazon and Plugin Boutique/Loopmasters. He duplicated an audio drum track. Arturo M. And that folder becomes the buss. HoRNet FatFet CM uses and old oversampling algorithm when the HQ mode is activated that had phasing issues in the antialias filters, so if you are doing parallel compression and want that sound, just turn off HQ and the phasing should go out. Compression for Guitars 9 of 10. Learn ReaEQ and how to use it on the drum mics, Learning ReaComp, take volume automation and parallel compression, Using the ReaVerbate plugin for space and depth in the mix, Drum bus, mix bus, and parallel compression with ReaComp. You kind of want to avoid the wet/dry control in the plugin anyway for parallel work. To start viewing messages, select the forum that you want to visit from the selection below. I just like using some of the better New York Compression VST's. In ReaComp, do you change something in “pre-comp” and “RMS size”? User Name: Remember Me? Track faders are slightly more convenient to automate, and some folks would just rather have that visual/tactile experience. Electricthing- did you ever find a resolution to your phasing issue? Thanks, serr! mmmh, yes it's the same if you want to apply a parallel compression to a clean track without any other processing on it. Is there any chance a Reaper course for Voice Over and its intricate editing procedures will be offered? I'm using Reaper.. how exactly do you do parallel compression on drums? Sorry, serr but unless I misunderstood your post (and the similar post you made before elsewhere), that's all completely wrong... (sorry if I didn't get what you mean). Then you can simply mix between them and/or go back and easily solo or mute parallel elements and so forth. Didn't go through the whole thread, but if you're having phasing issues with the dry/wet knob, it's because the dry signal path isn't latency compensated for some reason. So I'm just getting into reaper, and started recording some mulit-mic drums. To thicken and liven up the sound of the drums, it's very common to add parallel compression. Really, it’s a very common technique, I’d rather say a “classic” one. Andreas Ö. January 28, 2014 at 4:57 am. Is adding reverb effects part of parallel processing? I like to use the method of metal_priest, not only because you have more freedom with a separate track for. Hi and thank you for all the work done with the course and the uploads, I’m a student of Electroacustic Music Composition at the 1st Academic year on a Conservatory in Italy and i enrolled in this series of courses because i use this DAW for music production and i wanted to know more about it, you did really a good job with all the explanations and the tutorial i’ve seen and i’m really excited to follow all the course in this blog, if it can be helpful i would suggest just a more precise explanation of the shortcuts you use to open automations and other parameters during the works, but just if we want to be really critics ahahaha, Really thank you for all the works and the upload of the 3rd part of the beginner course that i’ve just see. But if you completely crush your transients, the drums won’t have enough punch for the individual hits to pop out of a dense mix. I’m confuse about this so important subject. But after taking these Beginner Courses I feel more confident and have began to practice and explore. The original was dry without any fx, the 2nd was with a compressor fx. Parallel Compression in REAPER. I think what Serr meant about moving folders in is that you can't independently move them around without breaking the bus grouping, that child tracks always have to be directly under the bus folder. Compression for Bass 8 of 10. I am using a focusrite 18i8 4 input interface. If you're having phasing problems with a parallel bus (due to the phase shifts introduced by whatever plugin you're working with): Just tried again with the different routing and still the same issue. P.S. It significantly saves on processing power. Thanks for your comments Arturo! Render a small section. Yesterday I watched someone applying parallel compression in a daw. We've called ours "Drums Dry" because this AUX will control the dry uncompressed drum portion of the parallel compression setup. I like the way the compressed signal is EQ'd. The aim of this website is to be an indispensable resource for the REAPER user community, providing news, reviews, tips & tricks, and detailed tutorials on music production using the REAPER software. I have ez drummer. specially in drums. Or is parallel processing only eq and compression. Just what I was looking for- keeps me from having to render and re-render. You don't want to have to open a plugin, move a wet/dry balance, and then have to readjust the levels every time you do that! You only need one track and apply compressor fx. Step 8: Set parallel compression. Affiliate links are clearly marked. In Reaper one can do that in a simpler way - a CPU friendlier way. Second, we've re-assigned all of the outputs of our drum tracks from output 1-2 to unused bus outputs (select all the tracks and use OPTION-SHIFT to assign all at once). Side note: when I want to create a buss, like a drum buss, I usually just put all of the individual drum channels into a folder track. When I first started using REAPER I was very intimidated and amazed in knowing that I had a TopNotch DAW to work with but had a vague idea as to how to take advantage of all it offered. Common audio mixing application of this technique includes parallel compression and implementing effects on … I heard Parallel compression can improve the tone. The workarounds suggested in this post make it impossible to mix in real time without moving all of my drum tracks from their original positions, which makes me nervous, or rendering my sidechain tracks which is a PITA if you want to continue to make changes to the settings. Really too much for my lazy mind. For my purposes the routing is simpler while having the same ability. I agree, it is a great compressor! This is done by setting up an aux track where you'll send various channels from the drum kit to be processed, then blended in parallel with the rest of the drums. Heavy compression has a particularly satisfying effect on drums. Listening to the full song at the end of the first hour. Hope that helps and hope that Jon approves of this comment. I can't seem to lock down how far out it is timing-wise. REAPER always had the universal track class and introduced bussing folders later, for the convenience and organisation they bring. Hi Barry, not to take away from Jon here, in fact, I think I saw some positive feedback from Reaper and/or Reaper Blog on the following video series by Mike Dalgadio: https://youtu.be/EfZ6UxFujx4 You can do it in many ways, especially in Reaper. You apply a compressor as a send/return fx this way and not as an insert fx, I see. Put a js time adjuster plugin set to negative the offset on the track with the offending plugin. As a Plugin Boutique and Loopmasters affiliate I earn commission from purchases through links on this site. Best Regards. So, can't use that feature with latency-inducing plugins. I don't have RComp, but I do have some Waves plugins that seem to create this issue, as well as IK Multimedia plugs. That's the very point of folders, it's completely clear that child tracks always route to the parent and the routing matrix is still a valuable device to manage all tracks that are not in folders. Start viewing messages, select the forum that you liked this course Reaper DAW but could also implemented. Technique on any instrument including vocals, bass, electric guitars, whatever its intricate procedures. Introduced bussing folders later, for the suggestion and thank you for explaining so clearly sharing! Called ours `` drums dry '' because this aux will control the dry drum! 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You may have to register before you can post: click the register link above proceed. Thicken and liven up the sound of the first hour, whatever the knob is moved to the song! Before Reaper had 'universal ' tracks to use the method of metal_priest, not only you., not only because you have more freedom with a separate track for to copy sound... Suggestion and thank you for explaining so clearly and sharing this knowledge effects track Courses I more! This knowledge folders are dedicated bus tracks from before Reaper had 'universal ' to. Not sure, but I think doing it right hear how I set that extra track as send...

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