will phantom power damage sm7b

It’s also serviced to reject hums emitted from computer monitors. in your case no but make sure not to use 48v with a ribbon mic. Phantom power on a channel connected to a ribbon mic will not harm the mic. For studio use, however, the Shure SM7B wins hands-down. Create a username and password below and an account will be created and your post entered. To install the windscreen properly, refer to the included user guide as it requires the use of an included attachment piece. It's called Phantom power because dynamic microphones don't see it sonically. If you’re tired of thinking about how the grass is always greener, you should just go ahead and get the Shure SM7B microphone. Phantom power will not harm the SM-7b, they are referring to some ribbon mics that can be harmed by it. When you buy products through links across our site, we may earn an affiliate commission. I found that I can only get sound recording through the cloud-lifter when I turn on the 48v(Phantom power… “Used with an SM7B, and was shocked at how much more sensitive the mic became.“ — Dan G. “I bought an SM7B thinking I could skip out on the CL-1 because my interface can add up to extra 60db of gain….I WAS WRONG….more gain from the interface means more white noise. Won't hurt anything plugged in directly either...the mic doesn't care if the phantom is on or not. This website uses cookies to improve your experience. I use mine with a Sound Devices USBPre 2. These panels generally terminate in the control room into a TRS or TT patchbay. Although both mics are sturdy, dynamic microphones have a simpler mechanism build, making them more resilient than their condenser counterparts. The Shure 55SH design is heavily influenced by 1930s automobiles. Here are the mic boosters that we chose to audition You need an account to post a reply. That said, it won’t damage the equipment if you happen to use it with a CL-1 Cloudlifter. The reason I am using a cloudlifter is because the SM7b is very quiet without it. When Rodger Cloud started using (and eventually making) ribbon microphones back in 2007, he encountered a common problem when plugging them into many preamps — there was not enough clean gain available at the preamp to fully utilize the microphone’s capabilities. It comes in a compact metal box; offers up to 25dB of gain; is manufactured in Tucson, Arizona, from US-sourced parts; and is offered in 1- and 2-channel versions. Its internal air suspension shock apparatus greatly reduces mechanical noises that would otherwise make their way into recordings. When you buy products through links across our site, we may earn an affiliate commission. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. The Shure SM7B doesn’t require phantom power, but you may want to consider it if you have an aversion to maxing out the gain on your mixer. rule of thumb. The ShurePlus MOTIV app is available on desktop, and makes the microphone extremely easy to control. Hey there! Which one you prefer is a matter of personal taste, but I think whichever you choose will do a good job. I recently got a scarlett 2i4, sm7b, and cloud lifter. What differences did you hear? Its microphones have been used by presidents, pop icons, newscasters, and more: the Shure SM7B is one of many top-notch company products within its portfolio. In this case, having a mic booster is nearly essential with a mic such as the SM7B. I was reading online that if you use phantom power on a specific type of mic then it can be really bad for it. If you have multiple recording rooms or a very large recording room, there are likely multiple panels around the studio with XLR connectors for mic cables. The Octatrack needs a line level signal, and the output from a mixer or preamplifier will provide this. “I absolutely love the extra headroom I can get from this little gem.“, “I wasn’t sure how much of a difference the Cloudlifter would make, but I am pleasantly surprised, no more pushing my preamp to the max resulting in a much clearer vocal.“, “Used with an SM7B, and was shocked at how much more sensitive the mic became.“, “I bought an SM7B thinking I could skip out on the CL-1 because my interface can add up to extra 60db of gain….I WAS WRONG….more gain from the interface means more white noise. Editor’s note: this Shure SM7B review was updated on November 22, 2020, to expand the list of buying options, and to address the Shure MV7 USB/XLR microphone. As a leading manufacturer of ribbon microphones, Royer knows about low-output microphones; so they designed the dBooster to work well with both ribbon and dynamic mics. How do the others sound compared to the As a budge alternative that supposedly sounds close to a SM7B you might consider a Mercenary Audio modded Shure SM58. Ok, this quick comparison is for kicks as the price disparity between the two models makes it unfair to legitimately compare them. We’re breaking down what makes the Shure SM7B a studio staple, and why it’s worth the cost. rule of thumb. True to its name, Radial's McBoost boosts the output of dynamic mics, giving you better transient response. What’s more, the yoke’s adjustment is smooth and offers just enough resistance to keep the microphone in its deliberately placed position. The specific situation that can damage a ribbon mic is usually only something you'd see in a bigger facility. Here’s what Mitch sounds like on the same SM7B going into the Zoom H6. But it sounds like the OP already has a mixer, so no cloudlifter or other pre needed at all. The yoke mounting mechanism is brilliant and makes it easy to attach and detach the SM7B from your favorite mic stand. Shure features plenty of advanced internal hardware to protect the cartridge and other components. New comments cannot be posted and votes cannot be cast, More posts from the audioengineering community. Suffice to say, this wasn’t recorded in a sterile room; yet, the untouched audio file remains unencumbered by the din that was undoubtedly present during recording. There are definitely different characteristics to the sound of each of these. Build quality. If you intend to record a lot of wind or string instruments, the Rode NT1 will serve you well. Here’s what Mitch sounds like on an SM7B going through each booster into the Focusrite 2i2 USB interface. The Scarlett 2i2 is ideal for … It was a brilliant idea and at just the right time. While these sounds are ignored by our brains, they’re often registered by sensitive microphones and can add time to post-production when not preemptively combated. Take a listen. let phantom ramp up and … The phantom power is necessary to power the Cloudlifter. This preamp delivers a fresh, crystal sound that is paired with a wide-range input that provides controlled, adjustable phantom power. Often overlooked, the Radial McBoost active direct box offers more features and functionality than any of the others. This arrangement essentially short-circuits the phantom power supply and can cause damaging currents to flow through the transformer, potentially magnetising it or even burning it out (although that is extremely unlikely). Like your whole studio worth of phantom-powered mics won't consume as much power as your nightlight. In the demo below, the flat frequency response is selected and my voice sounds unfortunately accurate.

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